Such an old workshop has never been so new [ + ]
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My Impressions About the 58thVenice Biennale [ + ]
Leia mais“A Luta Yanomami” (The Yanomamis Struggle) is the subtitle of Claudia Andujar’s exhibition at Moreira Salles Institute. [ + ]
Leia maisBy invitation of Livraria Cultura, I’ll talk about women’s different roles in the art industry: from models to artists, from collectors to dealers; from critics to chairs of major cultural institutions.
Leia maisAmong the many articles I wrote about individual shows, this is one of my favorites. Pazé’s “Coleção” (Collection) is an installation where visitors are the attraction. Check out this article.
Leia maisI’m particularly fond of this exhibition I curated in 2007 at MAM São Paulo. With a collection of over 5,000 pieces of artwork, MAM holds the most relevant examples of the Brazilian art production over the past three decades.
Leia maisEven though I am an expert in French Art—more specifically, 17th and 18th Centuries French Art—I had never taught a workshop about this subject.
Leia maisI hadn’t taught this course in six years. It was created exactly twenty-five years ago, aiming at offering to the lay public a repertoire of concepts and images that are key to understanding Western art.
Leia maisWith students’ desks many years behind me, I was happy to be interviewed by the Alumni USP association.
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Article published in 2015 as part of the “Icofom Studies” series, from a talk at Icofom/Icom/Unesco International Symposium at Université de Paris I Sorbonne in June 2014. (By the Blog Team)
Leia maisIn this interview to Ciça Bueno, creator of the “Vocacional” website, I talk about my education and professional path.
Leia maisArticle published in 2014 in “The Dwarfing of Europe?—A Dialogue between Brazil, India, China and Europe,” edited by European Cultural Foundation during a conference in Amsterdam, where Magnólia Costa represented Brazil.
Leia maisIn this interview to Dutch Culture in 2013, Magnólia talks about Brazilian museums’ strategies to attract visitors.
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